A fully fledged Broadway star, Stephanie J. Block has held her own as the leading lady in The Boy From Oz, Wicked, The Pirate Queen and most recently, 9 to 5.
This Sunday she’s heading to London for a one-off date, showcasing songs from her career and her self-produced album, This Place I Know, for UK theatre fans.
You had your London debut at Scott Alan’s concert back in October. What made you come back to do a solo concert?
My London debut with Scott Alan was a great experience. Although I only sang two of his songs, the audience was very warm and very welcoming. After the performance, I was out in the front of the house and got to meet almost everyone who attended the concert. So many people said, “I’ve seen you on YouTube singing … (fill in the blank) … and I wish I could see/hear you perform it live”. So, Simon Greiff, who produced Scott Alan’s concert, approached me about coming back to London and presenting my solo show. And now, that’s what I am happily doing!
What material can we expect to hear? Will you be performing anything new?
I am not going to share my set list. : ) I want the music to be a pleasant surprise. However, there will be a few tunes that I love singing that I have not yet recorded or sung professionally. They will be songs most musical theatre lovers know or have heard before.
What did making your album and getting a great response mean to you?
Recording and producing This Place I Know has been my most gratifying, artistic achievement. It was such a labour of love and one that took years in the making. I think I am most proud of being its executive producer. I was intimidated taking on that role as it was my debut album. But I wanted to make all final decisions, from the cover design, to the song choices, to the arrangements, to the mixing and mastering sessions, etc… Sometimes being a performer means giving up a lot of control. In making This Place I Know, I wanted to be more than “just” the voice. I wanted control. I wanted to infuse myself into the whole album. And now that it has been well received, I feel such accomplishment… as an artist and a producer.
You’ve worked with some amazing composers. Is there anyone else you would like to work with that you haven’t yet?
There are many composers I would love to work with… John Kander, Adam Guettel, Stephen Sondheim. Stephen Sondheim tops my list. Growing up, I envisioned myself playing certain roles and singing certain scores. Into The Woods is one of my all time favorite scores. It’s passionate and challenging… it’s art. I really hope there is an opportunity for me to work with Mr. Sondheim in the future.
What ambitions do you still have for your career?
I still want to do sooo much! Don’t get me wrong, I feel extremely blessed and am grateful everyday for the opportunities I have. But I am a “type A” personality and have always been one to have 1 year goals, 5 year goals, 10 year goals. Right off the top of my head… I want to sing at Carnegie Hall. I want to star in a great off-Broadway play. I want to star opposite my husband, Sebastian, again. I want a romantic role in a period film. Shall I go on…? : )
Who was your biggest inspiration when you started out? If that’s changed, who do you now admire and look up to?
Hmmm… I was inspired by many. I grew up with the MGM musicals, so Judy Garland was my first inspiration. Her way of singing a song was just like telling a story. She made every lyric clear and accessible. I wanted to do that. I didn’t need to sound like her. I needed to communicate like her. I then found Barbra Streisand and was obsessed, of course! I had a similar tone to her’s and found that her songs sat comfortably in my voice. I would listen to Judy and Barbra over and over and over.
Then I was introduced to Broadway cast recordings. I would normally only buy a cast recording if I was auditioning for a particular show at a local theatre. But, I soon ventured out and bought any and all Broadway albums. Joanna Gleason, as The Baker’s Wife, was perfect! I SAW her performance while I listened to the recording. The power of Patty LuPone’s voice gave me chills. Liz Callaway’s angelic tones… gorgeous. I continue to be inspired by these women, these artists. But I would not have had the courage to dream and believe without my parents, Steven and Rosemarie Block and my voice teacher and mentor, Jill Grande Goodsell. They started everything.
You’ve originated several roles – what is it about the creation process that’s so appealing?
Just the word “creation”… that’s everything. That’s why I do what I do. There is such beauty in bringing to life something that never existed before. It’s a very complicated process and it brings with it tons of uncertainty, tons of frustration, tons of emotion. But when you are in the room, collaborating with other actors, musicians, technicians and everyone is working together to create the same vision… it’s a remarkable feeling. And then, you hope that vision will touch and inspire others.
One of your most well known roles was in Wicked. What do you miss about playing Elphaba?
I have performed professionally since I was 12 years old. But my career started in 2000 when I was introduced to Wicked. I have such a deep connection to this show and the role of Elphaba. She is a beautifully written character who gets to express herself through passionate, heartfelt songs. I miss her a lot. But I also know what it costs to be her 8 times a week. Playing Elphaba is exhausting… vocally, physically, emotionally. She is a blessing and a curse (no pun intended).
Do you still feel like you could ‘pick up the broom’ and fit back into the role easily?
I could play Elphaba tomorrow, if need be. I think she will always be in my blood. Would I jump back into it easily? No. Saying “easily” and Elphaba in the same sentence… Well, the two just don’t go together.
Stephanie’s performances are scheduled for 6.00pm and 8.30pm at London’s New Players Theatre, this Sunday 28th February. Tickets are available from www.newplayerstheatre.com and www.ticketweb.com with full details at www.simgproductions.com.
This article was published on ATTN: Magazine and can be viewed here.